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One of the more interesting things about the annual No Dead Artists show is how it sometimes reflects the subcurrents roiling through society at large that may not show up quite as clearly in mainstream culture ?at least yet. If this show is any gauge, the evolving role of the individual in an increasingly complicated world of giant global corporations provides an increasingly stark contrast to the American myth of the rugged individualist hero, an ethos that now seems as creaky as Clint Eastwood?s semi-coherent conversation with an empty chair at the Republican National Convention.? [ Read more ]

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